for apple instal Native Instruments Vari Comp

FOR APPLE INSTAL NATIVE INSTRUMENTS VARI COMP PSP

Released in the late 50s, these tube compressors came in two forms - the 660 mono version and the 670 stereo version.įairchild compressors use variable-mu compression techniques, which means the ratio “changes dynamically in response to the signal level. UAD Tube-Tech CL 1B Compressor Plug-In by Softube Trailerįairchild compressors are the heaviest, oldest and most expensive analog compressors on the market.

FOR APPLE INSTAL NATIVE INSTRUMENTS VARI COMP PSP

The 1176 has more plugin emulations than any other compressor - over 20! Rev A, Rev C, vintage, modern and totally unique versions of the 1176 have been modeled by Antelope Audio, McDSP, PSP Audio, Slate Digital, Softtube, Universal Audio and Waves to name a few.

It’s great for crushing tracks in parallel or adding grit to help something cut through the mix. Instead of pushing one of the ratio buttons, PUSH ALL THE BUTTONS! This increases the amount of compression and distortion applied to the signal. If you’re looking for a more aggressive sound, try the “British Mode” setting. Engineers adopted the mantra when setting their 1176’s: attack knob at 10 o’clock, release at 2 o’clock and the ratio at 4:1. Pepper ran this ridiculous commercial suggesting that you drink a bottle at 10 am, 2 pm and 4 pm for a sugar boost. The 1176 sounds great on many different instruments particularly drum room mics, bass guitars and vocals.

But, if there is a continued state of heavy compression, it will exhibit a longer release to reduce pumping.” After a transient, it “releases quickly (50 mS to 1.1sec) to avoid level drops. It also features a variable release time. The attack time on the 1176 is hyper-fast 20 to 800 microseconds. The slower times are to the left and the faster times are to the right. The attack and release times are “backwards”.Instead there are four fixed ratio buttons: 4:1, 8:1, 12:1 and 20:1. Instead, compression is controlled by increasing or decreasing the input knob. The controls on the 1176 are a bit quirky: Some engineers feel the Rev C models have a slower response time and increased bass response. Rev C was released in 1970, featured a black faceplate and increased noise reduction. Rev A was the original silver model with a blue stripe. The 1176 uses a field-effect transistor (FET) to apply compression, which gives it a distinct “brightness, presence, and energy.” Released by Urei in 1967, it was the first “peak limiter” to use solid-state technology, instead of tubes. The 1176 is arguably the most well-known compressor in the world. FabFilter, Klanghelm, Kush Audio and Tokyo Dawn Records all have popular designs. There are plenty of modern compressor plugins with unique sounds. *But why? What’s so special about the same four basic designs? Most of the compressors we use today are based on analog hardware units. Apparently, this whole time they were talking about compressors. But just like any other language, as you spend time with the locals you slowly start to pick it up. They talk about “gluing”, “crushing” and “smashing” instruments.Īt first, it seems shrouded in mystery. Phrases like “punch”, “bite” and “attack” are used to describe inanimate objects. It’s littered with seemingly random letters and numbers, like some kind of Cold War spy code. Seasoned audio engineers all speak a secret language.

For apple instal Native Instruments Vari Comp